Künstler*innen
Lisa Mark Bern, *1996
Ein dumpfes «Boing», wenn eine Fliege gegen eine Lampe prallt, genügt, um eine neue Arbeit bei Lisa Mark in Gang zu setzen. An der Jungkunst sind es jedoch vielmehr vier weisse Türen, die den Anstoss zur Soundinstallation «Whispers through the threshold» (2024) gegeben haben. Was sich hinter dieser Installation, beziehungsweise hinter den verschlossenen Türen verbirgt, bleibt ein Rätsel. Der Fokus liegt auf dem genauen Hinhören sowie auf der körperlichen Wahrnehmung von Klang. In Verbindung mit der Installation «Don’t take it personally it’s just a boundary» (2023) fühlt Lisa dem Thema von Grenzen weiter nach: Eingrenzungen und Begrenzungen, Abgrenzungen und Grenzüberschreitungen sowie verschwommene und unsichtbare Grenzen.
The dull «boing» of a fly hitting a lamp is enough to get a new work by Lisa Mark going. At Jungkunst, however, it was four white doors that initiated the sound installation «Whispers through the threshold» (2024). What lies behind this installation, or rather behind the closed doors, remains a mystery. The focus is on close listening and the physical perception of sound. In conjunction with the installation «Don't take it personally it's just a boundary» (2023), Lisa explores the topic of boundaries further: Boundaries and limitations, demarcations and transgressions as well as blurred and invisible borders.
Photo credits: Roshan Adhihetty, Tim Rod
The dull «boing» of a fly hitting a lamp is enough to get a new work by Lisa Mark going. At Jungkunst, however, it was four white doors that initiated the sound installation «Whispers through the threshold» (2024). What lies behind this installation, or rather behind the closed doors, remains a mystery. The focus is on close listening and the physical perception of sound. In conjunction with the installation «Don't take it personally it's just a boundary» (2023), Lisa explores the topic of boundaries further: Boundaries and limitations, demarcations and transgressions as well as blurred and invisible borders.
Photo credits: Roshan Adhihetty, Tim Rod
